Oh serendipity. I was looking through a box of leave-behinds and takeaways— the miscellaneous detritus of functions invited or attended, looking for the handbill from a 1990s Miami Beach arcade. I never found it. But I did come across a more recent stack of exhibition pamphlets, including the one shown above from the 2002 MoMA exhibit of Constructivist book cover designs: The Russian Avant-Garde Book | 1910-1934.
In my usual stream of conscious, it made me think of a book that I’ve been watching for some time on eBay- debating a purchase. There is a bookseller in Moscow named yellowcaptain. He has many fabulous books on Soviet era art and design. I don’t know his relationship with the publisher, but he sells the same list of titles over and over. This one is on book cover design:
Borr: Book Cover Design of Bor-Ramensky
Excerpt from the description: The book tells the story of quite forgotten extraordinary self-taught designer, Konstantin Georgievich Bor-Ramemsky. His truncated signature, Borr (or BorR), has gone down as a kind of pseudonym. He was born at the turn of the century and died in action in 1943. He worked as graphic designer, stage designer, interior designer and worker’s club decorator in Siberia, Georgia and Moscow. In the Western and Russian literature, only one of his works is referred to, but attributed incorrectly.
After finding the pamphlet (up top) from the 2002 Constructivist book cover exhibit at MoMA, I looked into whether an exhibition catalog had been published, and if so, was it still in print. It was, and it is:
The Russian Avant-Garde Book 1910-1934
Excerpt from the description: This richly illustrated catalogue accompanied the 2002 exhibition at The Museum of Modern Art of a major collection of Russian avant-garde books. Often hand-made and hand-printed in limited editions, these books were, in many instances, the result of collaborations between poets and painters. Among the well-known artists represented are Natalia Goncharova, El Lissitzky, and Aleksandr Rodchenko.
The book cover designs concentrate more so on the typography. This is what interests me. I have one book on this era in my home library, but it is focused on advertising posters, not book covers:
Soviet Commercial Design of the Twenties
Excerpt from the description: A richly illustrated account of one of the most original, influential and exciting aspects of post-Revolutionary art: commercial graphic design, during the short-lived period of Lenin’s New Economic Policy.